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Adam's avatar
5hEdited

This week I found my opinions diametrically opposed to almost whatever Han said. “Who, today, feels looked at or spoken to by things?” he asks. But I have the strangest feeling the my neighbor’s doorbell is watching me… and it literally is. “Stories… in which things are the protagonists, telling the stories of their own lives, would be unthinkable today,” Han insists, but I recall Toy Story doing quite well. He said people do not lose themselves in things like they used to. Tell that to the lady blocking the subway steps because her phone pinged her when she came above ground and she stopped right there to respond, oblivious to a river of commuters trying to push past.

We’re near the end of the book, so it’s time to say it: COMPUTERS ARE THINGS. Han says, “The handless humans of the future are also footless. They hover above the earth in the digital Cloud.” That’s just ignorance. I used to have a sticker on my laptop that said, “There is no cloud, it’s just somebody else’s computer.” Maybe tech companies would like us to think our data is blowing through the skies above our heads like suspended molecules of water vapor, but it isn’t true. Computers are material objects. Data is imprinted and stored on physical objects -- hard drives, random access memory, tape storage. Digital data simply does not exist without these objects, these things. There is no infosphere. There is only the material sphere.

Tech companies like to obscure how their things function. When they talk about making the user experience “frictionless,” they mean their users must never need to troubleshoot a problem by themselves, because this would give them an opportunity to learn how the thing works. If the user learns how the thing works, they don’t need the tech company anymore, because at this point there is an alternative to everything the tech company sells which the user can get and use for free if they can figure out how to install and configure it. If you believe the computer is a non-thing, you are at its mercy. If you know the computer is a thing, you can manipulate it like a thing. You don’t need to let it manipulate you.

That brings me to quotation from Han that I disagree with most vehemently: “Digitalization has deprived things of any ‘defiant’ materiality, any intractability.” Everyone has had the sensation that a piece of technology is working against them. (Jared gave several great examples, his baby monitor and fridge). When Han talks about how physical things exist in opposition to us, I believe he means that our desire for how reality should be can run up against the inconvenient and undeniable fact of the existence of a thing. The form of a thing determines its function; it can’t be other than what it is. But digital technology is doubly stubborn, because it can be programmed. It has a will -- not a will of its own, but the will of its programmer. Using a piece of digital technology is handwork, only there are two hands trying to use the thing at once, our hand and the hand of the programmer. Although perhaps I ought to say, the programmer’s employer.

Islay's avatar
4hEdited

Unusually, Jared, I really disagree with you regarding this chapter—it is my favourite (of Non-Things) that I have read to date.

I think you've missed something by suggesting that the resistance found in "smart" items is akin to the resistance of non-smart items. The resistance you have described in relation to the former is unintentional and, relatedly and more importantly, generally unable to be overcome by the consumer. When baby camera wouldn't work, you didn't have a meaningful role to play (indeed, nobody did—the item had to be thrown away); it's not the same as, say, tools inviting you to participate in the world by virtue of their reliability and function in combination with your own efforts.

My reference to tools above is itself, though, a kind of boring and uncharitable example in the context of Han's writing. My favourite portion of this chapter was the two paragraphs on page 52, beginning "These days, things are not even cooled..." and ending "The other, deprived of its otherness, is reduced to an available, consumable object." The reason I say tools are a boring example is because, in my view, the most interesting thinking by Han here was his reference to the non-physical opposition that objects can present, i.e. they can (or previously could, by way of their longevity and craft) demand creativity and appreciation.

Romance may be getting the better of me here, but I do believe there's some value in items possessing a kind of contemplative romance—and thought Han articulated that well. Another example that came to mind was the difference between Tiktok videos/AI-generated media and theatre (or, somewhere closer to the centre of the continuum, well-written and -directed films); theatre undeniably presents an opposition lacking in Instagram reels, and it achieves that through—to echo Han—realisation, reification and embodiment.

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